Our Fake History · PodcastOne

Episode #236 - Real Werewolves?

October 7, 2025·1 hr 25 min·5 clips
King Lycaon served Zeus a meal of human flesh to test if he was truly a god.
Lycaon is the hook. The story opens in Greek legend, with a cruel king from Argos whose violence spreads through his sons and reaches Olympus. Zeus goes looking. Sebastian then uses the werewolf less as a spooky creature and more as a way to ask how older cultures talked about danger, exile, punishment, and return. The clothing detail matters. In the ritual material, a transformed person's human clothes have to be treated in a particular way. That small bit says a lot. These stories were not only monster tales; they were also dramas about stepping outside human life and maybe finding a way back. Pliny, meanwhile, is not buying it. He calls stories about men becoming wolves and then turning human again fabulous, which is pretty funny given what else he lets into his natural history. Tritons make it. Merpeople, griffins in Ethiopia, and other strange creatures seem to pass, but werewolves are apparently where he draws the line. Rough break for werewolves. Sebastian uses that contradiction neatly. Skepticism has its own history, and Roman experts were already sorting monsters into believable and ridiculous piles by the first century A.D. Arcadia still hangs around the edges, especially with wolf transformation as a burden carried for the community. Then the episode heads north. In pagan Germanic culture, the wolf can be terrifying without being only evil. Taking on wolf-like qualities can even look honorable. The fur is more metaphor than biology. Matthew Beresford's point becomes the pivot: some wolf traditions are about giving a person the wolf's power, not physically turning that person into a wolf. That changes the question. The interesting part is not just whether werewolves existed, but why the wolf became such a useful image for violence, strength, and coming back.

As heard by us

A werewolf story that becomes a study of belief, ritual, and skepticism.

Sebastian Major treats the werewolf as a question of belief more than a simple monster tale, moving from Lycaon and Zeus in disguise to Ovid, Pliny, and Germanic wolf lore.

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Why you'd press play

You want the roots of werewolf myths, starting with Greek legend and then widening out.

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