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Off The Record

Bec chats to Bush's Gavin Rossdale!

·14 min·1 clip
Bush frontman Gavin Rossdale reveals why the band rehearsed in a disused bank during their last visit to New Zealand.
The episode begins with host Bec announcing Bush's New Zealand tour and welcoming Gavin Rossdale. Rossdale expresses excitement for the tour and recalls rehearsing in a disused bank during their last visit to New Zealand. He admits he hasn't had much time to explore the country due to tour schedules. The conversation shifts to the setlist, with Rossdale promising a mix of hits and new songs like 'I Beat Loneliness'. He discusses Bush's early career, noting they broke out in America first despite being a London band, attributing this to there being 'no rules' in music. Rossdale reflects on performing old songs, saying he doesn't time-travel with them but connects through their malleability. He emphasizes giving 100% at shows to justify time away from family. The host asks about the band's breakup and reunion; Rossdale explains he was persuaded to do a solo record, which he criticizes, and that original members didn't want to reform. He describes Bush's recent music as heavier and more modern. Rossdale talks about his songwriting process, collaborating with band members and others like Eric and Tyler Bates. He shares favorite tour experiences, including supporting David Bowie, who he says was a lovely man, and touring with Jesus Lizard and Mastodon. Rossdale praises Bowie's lyrics as a 'joy ride of words'. He concludes by detailing his philosophy on live shows, comparing stage presence to break dancers creating momentum and aiming for a 'rocket ship' feel. The episode ends with thanks and podcast promotion.

As heard by us

Gavin Rosdell traces Bush's heavier turn from a disused bank rehearsal to the ritual charge of the stage.

Bush's return to New Zealand gives this Off The Record episode a clear frame, but its best material comes from Gavin Rosdell reflecting on how the band sharpened into a heavier, more modern version of itself after a period of change.

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Why you'd press play

You want a rock conversation that moves from a disused bank in New Zealand to super-detuned songs and the ritual charge of being on stage.

Read the full recommendation in PlayNext →
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