Of Course You Realize THIS Means Podcast - A Looney Tunes Discussion · thismeanspodcast

The Art of Cutting a Batman Feature with Editor Andy Young (Merry Little Batman, Harley Quinn)

·44 min·2 clips

Andy Young says the hardest cut was a joke that test audiences loved but the film no longer had room for.

1. Of Course You Realize THIS Means Podcast talks with editor Andy Young about Merry Little Batman, Harley Quinn, and The Day the Earth Blew Up. 2. Andy Young is the guest editor, and Jonathan Graves hosts as a Looney Tunes fan who also works in editing. 3. The episode asks how an editor shapes animation, comedy, and superhero storytelling in Warner Bros. projects. 4. Young says he started making things as a kid, including comics, songs, and Looney Tunes performances with his brother. 5. He describes editing as the place where timing turns material into a joke, a scare, or a sad moment. 6. He says he has worked at Warner Brothers for about four years and wanted to work in animation for a long time. 7. Young tells aspiring editors to use free tools like Da Vinci and CapCut and to start making films with friends now. 8. He says 'suck now' is part of getting better, because early mistakes help build skill. 9. On Merry Little Batman, he says the movie began with a script, test animation, and character designs that reminded him of Calvin and Hobbes. 10. He says the film moved through board stages where the team kept asking what worked and what needed to change. 11. Young names one example where the story was adjusted to get to Gotham sooner and to shift focus away from an original house-heavy version. 12. He says Gordon originally delivered the act two pep talk, but Alfred now does it because it made more sense. 13. Young says animation lets the whole room, including Mike Roth and Andre Salif, pitch ideas directly into Storyboard Pro and the edit. 14. He says much of the soundtrack came from YouTube and from unusual Christmas-song choices, including punk records. 15. He explains that 'Oi to the World' by The Vandals fit Damian's training montage better than a cutesy song. 16. Young says the finished film is about 95 percent of what he originally wanted, with the rest shaped by notes and collaboration. 17. He describes Mike Roth and Sam Register as unusually hands-on collaborators who care about details and fan logic. 18. The tone is energetic, collaborative, and conversational, with long stretches of practical craft talk mixed with fandom references. 19. Best for listeners who like animation craft, editing choices, and Batman production stories. 20. Skip if you want only spoiler-free plot summary and no behind-the-scenes detail.

As heard by us

A warm, craft-focused conversation about animation workflow, Warner Brothers notes, and how one early comment can change a story.

Andy Young comes across as calm and focused, and the episode stays close to the work itself. The best stretch is the conversation around Merry Little Batman, especially the early animatic meeting with Sam Register, where one note clearly shifts the story in a useful direction.

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Why you'd press play

Press play for Andy Young, editor of Merry Little Batman and Harley Quinn, talking Warner Bros. animation shop.

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