Now Spinning Music Magazine - Artist Interviews and Music Reviews · Phil Aston

Suzi Quatro Interview - "Nobody Held My Hand !"

·29 min·1 clip

Suzi Quatro says "Kick out the jams" only worked when Alice Cooper made her hear it as a Detroit song.

1. Now Spinning Music Magazine covers Suzi Quatro's album "Freedom" and her interview with Phil Aston. 2. Phil Aston introduces Suzi Quatro as the artist behind "Can the Can" and "Devil Gate Drive," and she speaks as the guest on her third album with producer-guitarist LR Tukey. 3. The episode asks what "Freedom" says about Quatro at 75, and the answer centers on rock-and-blues songs, self-belief, and Detroit attitude. 4. Quatro and Aston talk about the title track "Freedom," which she says was written from a desire to return to the "first wow" of breaking out of the box. 5. She describes LR Tukey as a guitarist whose playing has "come into his own" across "No Control," "The Devil in Me," "Face to Face," and "Freedom." 6. Aston notes that the album is bass, guitar, and drums driven, with keys used sparingly, a little harmonica, and no horns. 7. Quatro says "Little Miss Lovely" started from a title Tukey brought in, and she rewrote the lyrics after being asked to "dumb down the lyrics." 8. She says "Choose Yourself" came back to her after her son sent it away, and the line "Don't black and blue yourself" became central to the song. 9. Quatro explains that "Hanging over me" began as "five o'clock shadow," but Tukey changed the title after hearing the track. 10. She says she has included two covers on every album since 1973, and Tukey suggested "Going Down" because he knew she could "sing the ass off of this." 11. Quatro says she recorded "Going Down" in one take and changed a lyric to mention Detroit, which made the cover feel partly her own. 12. Aston and Quatro discuss BB King, Albert King, and Freddie King, and she says BB taught her dynamics by moving from a scream to a whisper. 13. "Here's Your Boots" is described as a swampy, bluesy party song that turns an argument into a blunt farewell. 14. Quatro says she practices her six-minute bass solo, rehearses "Freedom" and "Little Miss Lovely," and does piano finger exercises before shows. 15. She says she runs around her front room to the live CD, goes to her in-home gym, and keeps her energy level and voice in shape at 75. 16. "Nobody Held My Hand" becomes the most personal song in the conversation, because Quatro says it reflects leaving home and building a life without help. 17. Quatro calls "Take it or leave it" a simple rock-and-roll statement, and she says "woman's song" is the first time she has written directly as a non-gender person. 18. The tone is direct, detailed, and performance-focused, with Aston prompting track-by-track comments while Quatro answers with stories about titles, lyrics, and studio choices. 19. Listeners who like Detroit rock, bass-driven interviews, and album breakdowns will get the most from this episode. 20. Listeners wanting short celebrity chatter or soft-spoken reflections may skip it.

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