Now Spinning Music Magazine - Artist Interviews and Music Reviews · Phil Aston

Katherine Priddy Interview - Songs That Whisper To The Heart

·31 min·2 clips

Health issues made Catherine Priddy feel like “a person trapped in a malfunctioning machine.”

1. Now Spinning Music Magazine talks with Katherine Priddy about These Frightening Machines, her third album on Cooking Vinyl. 2. Phil Aston and Sue Aston host the interview, and Priddy explains how the record marks a new chapter in her writing and recording. 3. The episode asks what these songs are for: to hold time, identity, womanhood, memory, fragility, resilience, and hope in one album. 4. Priddy says the "difficult second album" pressure gave way to a third-album reset, where she focused on songs she felt proud of. 5. She describes working with Rob Ellis and a small studio team to shape sounds that served the songs rather than the public sphere. 6. Matches began with a tattoo reading "women, not witches," which pushed her into Scottish witch-trial books and essays. 7. She says she wanted Matches to reclaim women’s voices instead of sounding miserable or defeatist. 8. The production on Matches used percussion dropped on the floor and distorted to resemble armour and an approaching march. 9. Frightening Machines grew from her health issues and the feeling of talking about her body as if it were separate from herself. 10. She connects that song to medical operations, dehumanising procedures, and the image of a person trapped in a malfunctioning machine. 11. Hurricane was the last song written for the album after Rob Ellis challenged her to write something groovy. 12. Priddy says she listened to Dusty Springfield while aiming for something "a little bit sexy" and a little sultry. 13. Madeleine is described as a love song to other women in the music industry and a response to competition for limited slots. 14. She says women were often introduced as "the female musician" and kept apart, which shaped her earlier experiences. 15. Serious is written for a friend who was having a hard time, with the line that people may be watching and looking up to you. 16. Table Four came from a night in Pembrokeshire with two musicians, a shared confession about touring, and a stone with the title written on it. 17. Could This Be Enough ends the album on a question mark, with Priddy saying it captures relationships, work, and the feeling that things stay messy. 18. The interview is warm, detailed, and reflective, with the hosts reacting strongly to the songs and asking about specific lyrics, videos, and recording choices. 19. Listeners who like intimate songwriting about memory, bodies, and women in music. 20. Listeners wanting high-energy chatter or straightforward pop commentary.

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