Murder On The Space Coast · Gannett

Who killed Dick?

·32 min·3 clips
A man so cold-hearted he'd kill you and eat a steak while you bled out—who was he, and why did he have so many enemies?
This episode investigates the 2015 murder of Dick, a man described as cold-hearted and surrounded by enemies. Host John A. Torres, an award-winning news columnist, returns for the podcast's fourth season. He warns listeners the story is seedy, surreal, and absurd, populated by individuals who frequently lie. The narrative involves drug addicts, drug peddlers, and a sheriff's office focused on identifying the correct suspect. A unique jeweled necklace and a jailhouse informant fearing for his life are key elements. A lawyer suffering from mental illness and a disastrous road trip are part of the complex tale. The victim, Dick, reportedly called a loved one crying, asking how the situation happened to him. One speaker characterizes Dick as someone who would kill a person and calmly eat a steak nearby. The case is framed as a story of persistent bad luck and tragically poor choices. Torres emphasizes the difficulty of discerning truth because literally everyone involved lies. The claim that the victim had "all kind of enemies" suggests numerous potential suspects beyond any official narrative. A source within the sheriff's office expresses a specific feeling of pressure to have "zeroed in on the correct suspect." The victim's emotional phone call presents a contrasting, vulnerable side to his otherwise fearsome reputation. The promised inclusion of a silent suspect, an "anhui who refuses to talk," adds mystery. Comparing the story to a Quentin Tarantino film sets expectations for a gritty, non-linear, and violent plot. The host explicitly states the story is not just about drugs but also about withheld testimony and secrets. The tone is dramatic, narrative-driven, and atmospheric, directly engaging the listener with vivid descriptions. The style is conversational yet meticulously constructed, like a true-crime documentary. Listeners who enjoy convoluted Southern Gothic true-crime tales with a large cast of unreliable characters will love this. Those preferring straightforward, resolved narratives or who are sensitive to stories centered on drug abuse and violence might skip it.
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