📣 Épisode #41 : "Wicked : Partie II" - Un retour à Oz… plus épique que jamais.

·24 min·2 clips

John Emchou's 'Wicked: Part II' brings back Ariana Grande and Cynthia Erivo for a story about friendship and power.

1. Breakfast Ciné Club reviews Wicked: Part II, the conclusion of Jon M. Chu's diptych starring Cynthia Erivo and Ariana Grande alongside Michelle Yeoh, Jeff Goldblum, and Jonathan Bailey. 2. The three hosts are Joe (main host), Thierry, and Marie Palaut, all of whom attended the French premiere at the Grand Rex in Paris. 3. The episode's core question is whether Wicked Part II fulfills the promise of the first film and justifies the diptych format, with all three hosts concluding it does. 4. Joe describes the film in three words as 'ambitious, deep, and removed,' then elaborates that it is 'more satisfying' than the first because it is freed from the obligation of setting up the world, stakes, and characters. 5. Joe compares the tonal shift to the evolution of the Harry Potter saga—from a lighter first installment to a darker, more tragic tone—and also references 1980s family-horror touchstones like Jumanji and the David Bowie film Labyrinth. 6. Thierry describes the Grand Rex premiere as the loudest audience reaction he has ever witnessed in that venue, with 'a decibel level never heard' before the film even began, and notes he had wands prepared and distributed tissues to neighbors during emotional sequences. 7. Thierry identifies a technically striking continuous camera shot—a sequence plan assisted technologically—that crosses mirrors without cutting, calling it 'a technical prowess' that also tells something narratively rather than functioning as a pure style effect. 8. Both Joe and Thierry highlight a specific sequence linking the Glinda and Elphaba storylines that uses theatrical grammar reminiscent of Commedia dell'arte—with characters suddenly appearing, falling, rolling—reinterpreted with cinema tools. 9. Composer Stephen Schwartz's score is praised for creating 'perfect coherence' between Part 1 and Part 2, with the hosts noting the deliberate transformation of lyrics from 'Unlimited' in Part 1 to 'I'm Limited' in Part 2 as an emotionally devastating inversion. 10. Director Jon M. Chu is credited by Thierry with having the actors sing and perform live on set, creating a palpable sense of physical and emotional delivery that the hosts say you can feel as a viewer. 11. Jeff Goldblum's role as the Magician of Oz is praised specifically for a jazz-infused scene that suited his real-life skills as a pianist and jazz singer—described as 'jazzy, elegant, and very Broadway.' 12. Jonathan Bailey, elected Sexiest Man Alive by People magazine in 2025, is discussed as a key casting choice, with Marie noting she had found him attractive well before the election, citing his earlier role in Jurassic World. 13. Thierry reads the film's political layer as its most substantive contribution: Oz is depicted as a police state controlled through fear and propaganda, with animatronic characters becoming refugees using 'underground clandestine routes'—a parallel to real-world border crossing that the hosts say requires no additional interpretation. 14. The four main character positions identified by Thierry are: Elphaba as the active resister, the Magician of Oz and Mrs. Morrible as the oppressors, Elphaba's sister whose anger drives her toward the oppressors, and Glinda as a character blinded not by the regime but by a self-constructed childhood illusion. 15. All three hosts agree Glinda's character arc is the most compelling dramatic engine of the film, with the audience constantly waiting for the moment she will be forced to confront her own contradictions. 16. The Dorothy storyline is woven into the final act without Dorothy's face ever being shown on screen; the hosts argue this was the correct creative decision, as casting a recognizable actress would have disrupted the casting balance. 17. The film's ending is described by all three as a real conclusion rather than a sequel setup—'poetic, romantic, and sincere'—with Marie noting she 'reconciled herself with Glinda the Good.' 18. The episode has an enthusiastic, conversational format with frequent interjections, humor about the hosts' emotional reactions, and a rapid exchange dynamic between three voices who are clearly familiar with each other. 19. The ideal audience, per the hosts, includes fans of the first film, friends who want to share the experience, and families who want to debrief across generations about what different age groups took from the film. 20. Those who prefer non-musical films, are unfamiliar with the Wicked stage musical, or who do not enjoy family-fantasy genres with a theatrical sensibility are unlikely to connect with the episode's enthusiasm.

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