Mehr Lebenskraft - Mit Kerstin Hardt · Kerstin Hardt

#680 - Dietmar Wunder öffnet die Tür zu seiner faszinierenden Welt - Interview mit der deutschen Stimme von "007"

·57 min·4 clips

Dietmar Wunder performs the live James Bond introduction in full character voice, ending with 'Mein Name ist Bond. James Bond.'

1. Mehr Lebenskraft host Kerstin Hart interviews Dietmar Wunder, the German sync voice of James Bond (Daniel Craig) and Adam Sandler, about his career, mental tools, and voice coaching work. 2. Wunder is introduced as a sync actor, audiobook speaker, moderator, actor, and speaker coach who began professionally in the sync industry on 17 July 1990 at a studio in Oberlandstraße, Berlin-Tempelhof. 3. The central thesis of the episode is how performance arts mental tools — specifically emotional switching and visualization — apply to everyday high-pressure situations for non-actors. 4. Wunder traces his beginning to childhood play: recording fake radio hit-parades inspired by presenter Dieter Thomas Heck, covering Udo Lindenberg songs on stage at school, and imitating Heinz Rühmann. 5. Before pursuing acting, he completed a three-year optician's apprenticeship (Augenoptiker) in his family's Berlin optical business, founded by his great-grandfather in 1905, which he credits with teaching him people skills. 6. He attended acting school under Maria Körber in Berlin for roughly two and a half years, training in Strasberg Method techniques, breath control, and voice work. 7. Wunder's sync career started by accident: colleague Wolfgang Ziffer invited him to watch a studio session in 1990 and immediately cast him in a minor role as a stuttering student — a technically demanding debut. 8. His breakthrough came quickly: within six months he voiced Christian Slater's first major film role, then secured a recurring role in the Twin Peaks German dub. 9. In 2006, Daniel Craig became the new Bond and a six-month nationwide casting in Germany was held; Wunder entered in August, recorded the Casino Royale opening in black-and-white test footage, and was eventually told Barbara Broccoli was involved in the final selection. 10. The production manager's confirmation call used the phrase 'Du arbeitest jetzt für den Geheimdienst Ihrer Majestät,' which Wunder says still gives him goosebumps. 11. Live in the episode, Wunder performs the full Bond introduction in character — setting an imaginary martini-bar scene, then delivering 'Mein Name ist Bond. James Bond.' — prompting audible excitement from the host. 12. Wunder describes an 'inner switch' he discovered consciously only in recent years: when the recording light turns red or the stage curtain rises, a mental shift occurs that allows him to perform regardless of personal emotional state. 13. He applied this technique at a personal funeral, visualizing a stage curtain to enter performance mode and deliver a eulogy despite deep grief, which he describes as the clearest real-world test of the method. 14. Wunder acknowledges he never deliberately developed this switch; he believes it emerged from acting training and repeated performance under pressure. 15. He discusses the existential fear common in creative freelancing — not knowing if a series continues into next year, whether synchronization work will dry up — which he describes as 'damn hard' in his first years. 16. His response to financial uncertainty was gradual diversification: adding audiobook narration, live readings, moderation, and eventually voice and speaker coaching. 17. Wunder says a core challenge of sync acting is that he must honor the original actor's emotional choices while making them his own in German — not mere imitation, but emotional interpretation within a constraint. 18. The conversation is a flowing interview with Kerstin frequently pausing Wunder to extract specific lessons; the tone is warm, mutual, and occasionally playful, particularly during the live Bond performance. 19. The episode will resonate with listeners interested in voice work, performance psychology, creative-career resilience, and mental tools derived from professional acting. 20. Listeners seeking quick tactical advice or practical step-by-step exercises may find the conversation too discursive and anecdotal in structure.

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