Makeover Montage: A Fashion in Film Podcast · Marie Lodi and Blaire Bercy

Suits on Suits and Hypebeast Glam with 'The Studio' Costume Designer Kameron Lennox

·1 hr 12 min·4 clips

Kameron says the character became a “hype beast” built from labels, UGG boots, and an Ivy Park harness.

1. Makeover Montage: A Fashion in Film Podcast frames this episode around The Studio and Kameron Lennox’s costume work. 2. Marie hosts solo because Blair is absent, and Kameron Lennox joins as costume designer for The Studio. 3. The episode asks how Lennox built wardrobes for a show with 23 Emmy nominations and an old-Hollywood feel. 4. Lennox says she started with research, script reads, and repeated discussions with Seth and Evan. 5. She describes sending boards back and forth while the production designer built a deck for the Continental offices. 6. Matt’s wardrobe required 30 to 40 percent custom-made suits because he never wears the same suit twice. 7. The remaining suits came from Italian companies and were tweaked after being shipped from overseas. 8. Lennox says the show is present-day but uses vintage pieces to make the world feel rooted in Hollywood history. 9. She connects that approach to listening to Karina Longworth’s You Must Remember This and thinking about the golden age of Hollywood. 10. She says Quinn’s look had to feel like a young, rich, fashion-aware assistant with a vintage Chanel purse. 11. Lennox describes Quinn as a “Nepo baby” with a sharp sense of style and a climb-up-the-ladder energy. 12. She links Quinn to Cher Hite, J.Lo’s Fly Girl years, and Gwen Stefani as references for a younger-looking, self-defined wardrobe. 13. Sal’s clothes were designed to look more single-breasted, shinier, and sleazier than Matt’s relaxed suiting. 14. Lennox says Sal’s palette leans into burgundies, maroons, and forest greens while Matt stays in earth tones and burnt oranges. 15. She also compares Sal’s slickness to Christian Bale in American Psycho, then mentions trench-coat elements and a strict grooming routine. 16. Catherine O’Hara’s character gets saturated bronzes, rusts, golds, Max Mara suits, brooches, heels, and occasional Issey Miyake. 17. Lennox and Marie keep the tone conversational and referential, moving quickly from costume theory to personal favorites and fitting-room details. 18. The episode feels like an interview with a designer who is comfortable riffing on references, brands, and character psychology. 19. People who like costume design, fashion references, and Hollywood style history. 20. People looking for plot recap or a highly technical industry breakdown.

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