Himboism According to Boy Radio

·1 hr 31 min·5 clips

Essence Fest had Lauryn Hill at 2:30 a.m., and Friday ended at 7 a.m.

1. MAD Music Podcast uses “Himboism According to Boy Radio” to center a conversation with Brooklyn-based artist Boy Radio about music, festivals, and his own career path. 2. Mikayla hosts with Amma and Dami, and Boy Radio matters because he is introduced as a recording artist, performer, actor, and model with an album called Hemboism. 3. The episode asks what Boy Radio listens to, how he built his artistry, and why his stage name became “Boy Radio.” 4. Boy Radio names Mariah Carey’s “Type Dangerous” as the song currently in his “chokehold,” and he describes it as classic Mariah energy. 5. He says he listens to everything, but he grew up with pop and R&B as favorites in Southern California. 6. He connects that taste to a suburban mix of Hispanic, Black, White, and Asian culture, plus family memories tied to Al Green. 7. The hosts add their own listening picks, including Amerie’s “Why Don’t We Fall in Love,” Pharrell and Snoop Dogg’s “Beautiful,” and Brandy’s Aphrodisiac. 8. Dami brings up Eddie Lewis, also known as Supa, from the house group Alias and the song “Follow Me.” 9. Amma raises Essence Fest complaints, including Lauryn Hill performing at 2:30 a.m., Friday ending at 7 a.m., and Sunday ending at 2:55 a.m. 10. Stephanie Mills’ letter is read aloud, including her line about “significant production issues” that affected her performance and the artist experience. 11. Boy Radio says festival audiences usually blame the artist first, even when tech and crew issues are driving delays. 12. He says union protections mean tech and crew are unlikely to get blamed, while artists absorb the public frustration. 13. He describes big festivals as messy because stage managers, entourages, and artist schedules all have to align at once. 14. Boy Radio says his biggest pet peeve is being told the performance time has changed after he is already there. 15. Dami argues that festival organizers should scale back after COVID, naming Essence, Roots Picnic, Smoke and Groove, and Afropunk. 16. The discussion also points to a cultural disconnect in New Orleans, where local vendors were reportedly priced out of Essence Fest. 17. Boy Radio then shifts into his own origin story, saying he grew up in a musical household with vinyl records from his mother. 18. He says he learned musicality through dance, MTV, Michael Jackson premieres, singing lessons, clarinet, and trumpet. 19. The tone stays conversational and collaborative, with hosts interrupting, laughing, and trading festival memories as the interview unfolds. 20. Listeners who like music talk, artist origin stories, and festival logistics will get the most from this episode, while people avoiding long group-chat style conversation may skip it.

As heard by us

A relaxed artist conversation that puts a move to New York and a near-missed job at the center of the story.

Boy Radio comes across as an easy, open presence, with the conversation built around music taste and a bit of personal history. He is introduced as being from Cali, based in Brooklyn, and active as a recording artist and performer, while the hosts also point to his work as an…

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Why you'd press play

A warm, banter-heavy artist chat about Brooklyn, genre-mixing, and finding your footing.

Read the full recommendation in PlayNext →

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