I Hate Critics Movie Review Podcast · Bob Zerull

We Respect Emerald Fennell and Hate Wuthering Heights

·1 hr 34 min·5 clips
Sean Patrick and Jeff open the show casually and keep things moving without any big setup. They settle into movie chatter with no ceremony at all. The first stretch stays focused on why a film works by putting one character in direct contrast with the kind of person they seem to be. That becomes the main point of praise. They do not belabor it. Instead, they keep circling back until both the joke and the criticism land cleanly. Then the conversation turns hard into another movie. Jeff brings up a Sam Rockwell sci-fi comedy about a traveler from the future trying to slow down the invention of AI. The premise is strange on purpose. The movie keeps resetting around a diner, a small group of people, and a timeline that has already gone wrong more than once. Rockwell gets the strongest praise. Haley Lu Richardson, Joe Temple, Michael Pena, and Zazie Beetz all come up as part of a cast that sounds like it is having a good time. The hosts are clearly into the movie’s anti-AI streak too. That angle gives the whole thing extra bite. There is a running sense that they like movies that know exactly what they are arguing for. The episode also makes room for a very human detour. Sean Patrick tells a Chicago theater story that turns unexpectedly sweet. He talks about seeing The Waverly Gallery, meeting Elaine May after the show, and ending up walking down the street with Joan Allen. It is the kind of memory that does not need much dressing up. The close stays easy and conversational. They tease next week’s Clowns of Passion and sign off like the conversation is just pausing, not ending.

As heard by us

Loose movie talk that wanders, argues, and still lands softly.

Sean Patrick and Jeff start with film talk, settle on a favorite of the week, and then move into a Sam Rockwell sci-fi comedy about trying to hold off an AI future. The give-and-take stays easy, and the side trips feel like part of the rhythm instead of a detour.

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Why you'd press play

You want movie talk that sounds like two people thinking out loud.

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