3 casos Reales de Brujería en México: celos y envidias | Ep.225

·44 min·4 clips

A man finds a bundle with his hair and name hidden in his office chair, revealing a coworker's envy-fueled witchcraft.

1. Hablemos de Terror, hosted by Efraín Sosa, presents three accounts of alleged witchcraft in Mexico linked to workplace envy, romantic jealousy, and neighborhood resentment. 2. Sosa is the sole narrator; the three accounts come from listener submissions identified as Carlos (insurance analyst), Carlos (trucker on the Querétaro–San Luis Potosí route), and Mari (Puebla resident). 3. The episode's core argument is that brujería operates through mundane objects — an office chair, a buried box, decorative pots — and that its effects include measurable physical symptoms and relationship destruction. 4. The first Carlos, an insurance analyst with four years at his firm, began experiencing fatigue that persisted after ten hours of sleep, a sensation of invisible hands pushing down on his shoulders, blurred vision, and systematic workplace errors — inverted figures, misdirected emails, vanishing files — shortly after a woman named Patricia joined his team. 5. After watching Patricia perform a silent hand-pass over his empty chair one evening, the analyst searched his workspace and found a small dark cloth bundle sewn under the seat, releasing a dead-flower odor strong enough to cause nausea when opened. 6. The bundle contained wet black earth, what appeared to be fingernail clippings, a lock of hair he recognized as his own, and a strip of paper bearing his full name in Patricia's handwriting; Patricia was watching him through the office glass when he made the discovery and did not smile. 7. That night the analyst found circular purple bruises on his shoulders and upper back, corresponding exactly to the points of invisible pressure he had felt at his desk; by 3 a.m. his fingernails had turned grey and his cuticles were seeping a clear foul discharge. 8. The analyst's aunt in a village in Hidalgo burned the bundle without ceremony using aguardiente; the smoke produced was black and dense and ran along the ground rather than rising; the analyst felt a burning sensation in his shoulders as if cigarettes were being pressed to his skin, followed by the gradual detachment of 'something from his back like a scab being pulled.' 9. The aunt warned him: 'We returned her filth to her, but that woman has already sampled your scent and knows how to enter your mind — if you go back, she'll finish what she started'; the analyst resigned by email without returning to the office. 10. The second Carlos, a trucker with fifteen years on the Querétaro–San Luis Potosí route, found a line of dark oily liquid reappearing each morning across his front doorstep despite repeated hosing; his wife Beatriz noticed the house felt cold and their Crown of Thorns plants turned black overnight. 11. Carlos observed the oil forming from inside his own floor tiles at 3 a.m. without any external source, and saw a short figure in a dark hoodie standing under the pirul tree at the back of his lot, which disappeared when he shone a flashlight toward it. 12. The following morning Carlos dug under the pirul tree and found a shoebox sealed in black tape and rusty barbed wire; inside was an animal heart — likely pork — soaked in rancid dark oil and entangled with his and his wife's underwear knotted together and pierced by a dozen black-headed pins; a rasping female voice said 'it's already too late.' 13. A retired trucker-turned-specialist named Don Jacinto identified the work as a 'separation working made with graveyard earth' and said the barbed wire represented diseases and misfortunes that would fall on Carlos because he unearthed the work without protection. 14. Don Jacinto returned with Carlos at sunrise, dug one meter deeper under the pirul, and found a lead plate engraved with Carlos' name using a nail; he burned the plate in Carlos' own clothing with a herb-and-alcohol mixture that produced intensely blue flames. 15. Beatriz, who had left the house due to uncontrollable hatred of her husband, texted Carlos at the moment the burning finished saying her hatred had evaporated and she felt only emptiness; Don Jacinto warned the work was 'broken but not forgotten.' 16. Mari, a resident of an older colonia in Puebla, received three heavy clay pots with dark-leafed plants from neighbor Doña Elvira as a housewarming gift after remodeling; within days her two schnauzers stopped eating, her husband began aggressive arguments over trivial matters, and the plant shadows on the wall did not match the leaves — one showed a hunched figure with long arms. 17. Mari found the largest pot immovable despite two people pushing, and discovered a dark hand-shaped stain on the freshly laid floor beneath it; Doña Elvira appeared at the window and said 'those plants feed on what they find in the house and will take a piece of you if you try to remove them,' appearing visibly younger and stronger than she had before. 18. Mari broke all three pots with a hammer; the largest contained roots 'moving like worms,' a bag with photos of her and her husband face-to-face reversed, a rotten animal tongue pierced by three needles, a dead dog's collar, and Elvira's own molar tooth as a biological anchor; when the contents were burned with alcohol, Elvira screamed from behind the fence, was taken to hospital the next morning, and died of a jaw infection days later. 19. The episode is structured as three sequential narrated testimonies separated by Sosa's direct address to listeners; tone is confidential and atmospheric with no music or effects; Sosa frames all three as listener submissions presented without verification. 20. Listeners drawn to Spanish-language supernatural horror about everyday objects and domestic spaces will find this episode engaging; listeners who require source verification or are skeptical of folk witchcraft frameworks will not.

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