Documentary on One Podcast · RTÉ

30 Acres: 02 - The Hunt for Sean Granite

·38 min·3 clips
A woman pulls a 1916 antique revolver on her uncle in a carvery restaurant over a housing dispute.
The story opens on Sean Granite and 30 Acres. The development was meant to bring rural and urban living together, but by the time the episode begins it has become a sprawling ghost estate, and the narration treats that collapse as both a housing failure and a social one. Three inhabitants remain. They live under notice from a liquidator, and the episode keeps the pressure clear by returning to the 30-day deadline, the unfinished town centre, and the sense that a promised future has shrunk into a fight for the next month. The date is December 2009. The narrator is embedded on 30 Acres with the three remaining inhabitants, and the chronology moves steadily through their conversations so the listener can hear how long the place has been in decline and how little certainty is left. Sean Granite arrives in the middle of that uneasy social world. He shares drinks, trades wary banter, and sits somewhere between guest and intruder as the show lets the room's tension surface through talk. Then comes the darts. What begins as a game in 301, with double in and double out, turns into a high-stakes contest at 100 euro a game, turning small talk into a test of nerve and stamina. The stakes keep climbing. Two hours, six pints, four drops, twelve bags of bacon fries, and nine games later, the episode uses the growing intoxication and repetition to show how the men on the estate turn waiting into ritual. The tone stays procedural. Notices, ownership, eviction, and the language of the liquidator are handled plainly, which keeps the story legible even as the joking gets sharper and the scene becomes less comfortable. The production also leans into performance. Voice casting gives Isolt, Glen, Sean, Pat, Alastair, Holly, the horse, and the pig their own edges, so the estate feels inhabited not just by facts but by stubborn, recognizable personalities. That matters here. The episode is not only tracking a housing scheme gone wrong, but also watching how people behave when a planned community has broken down into argument, spectacle, and endurance. The ending folds the method back in. Credits name the documentary and drama teams, note the animal performances, and close with a request for information on Alastair Crow, leaving the listener with both the evidence of the case and the unresolved trace of the people inside it.

As heard by us

A ghost estate story where eviction, drink, and darts collide.

This episode follows a failed government housing project as it hardens into a ghost estate story about who gets to stay when the future never quite shows up.

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Why you'd press play

A ghost estate becomes a darts table, a deadline, and a fight to stay.

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