Destination Santa Fe Opera · The Santa Fe Opera

Cosi fan tutte - Mythic characters, implausible plots, and the art of being watched with stage director R.B. Schlather

·38 min·3 clips

Are the disguises in opera a plot point or a meta-conversation about performing for an audience?

This episode of Destination Santa Fe Opera explores Mozart's "Così fan tutte" through a production directed by R.B. Schlatter. Hosts Kathleen Clausen and Corey Ellison, from the opera's Apprentice Singer Program and dramaturgy department, provide an insider's perspective. They frame the discussion around the nature of performance and identity within this specific opera. The conversation centers on R.B. Schlatter's directorial approach, described as edgy and creatively exciting. A key topic is the meaning behind the characters' disguises and the infamous wager plot. Schlatter prompts actors to question who their character is performing for and who is watching them. The hosts connect this to a larger meta-conversation about presenting a character versus being oneself in opera. Corey Ellison shares a personal history with the Santa Fe Opera, having aspired to be an apprentice while at the Manhattan School of Music. He notes the school's founder, John Crosby, also founded the Santa Fe Opera, creating a direct lineage. Ellison auditioned and was once an alternate but never became an apprentice until his current role years later. A compelling insight is that the classic disguises might be less about plot and more a commentary on performance itself. Schlatter's recurring rehearsal question—"who are you and who are you doing this for?"—is presented as vital to interpreting this piece. The discussion suggests the characters' actions are a performance for someone within the story, adding narrative layers. The personal anecdote reveals the Santa Fe Opera Apprentice Program as a major aspiration for young singers, particularly at the Manhattan School of Music. Ellison's journey from a hopeful student alternate to a company dramaturg underscores the institution's enduring draw. The tone is conversational and educational, offering a behind-the-scenes look at artistic process. The style is analytical, delving into thematic concepts rather than just summarizing the plot. Opera lovers interested in directorial concepts and the philosophy of performance would find this episode engaging. Listeners seeking only a basic plot summary or musical analysis might prefer to skip it.

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