Em cartaz com 'Dois de Nós', Christiane Torloni reflete sobre carreira, amor e maturidade

·41 min·3 clips

What would a couple say to each other after 30 years apart, in a play watched by over 200,000 people?

1. CBN Revista host Petra interviews Brazilian actress Cristiane Torloni about her stage show 'Dois de Nós,' her 50-year career, and her environmental activism. 2. Torloni, daughter of actors Geraldo Matheus and Mona Adelacy — graduates of Brazil's first dramatic arts school, Adela — describes being born into art and having theater as her natural habitat. 3. The episode's core question is how a 50-year career in Brazilian television and theater connects personal artistic passion to civic and environmental responsibility. 4. Torloni explains that she tried to escape acting by studying sociology and oceanography, but always returned to the stage, telling aspiring actors: 'Don't give up — you will ask yourself all your life, will you be able to do it?' 5. She distinguishes between dream and illusion, arguing that 'dreams we realize; illusion is lost,' and urges young people never to stop dreaming because 'when a person stops dreaming, she died, she got old.' 6. The play 'Dois de Nós,' written by 42-year-old playwright Gustavo Pinheiro and directed by José Poss Neto, features Torloni, Antônio Fagundes, Tiago Fragoso, and Alexandra Martins at Tuca theater in São Paulo through end of May. 7. The production has logged over 200,000 spectators since its September 2024 debut, including 13 cities in Brazil and 62 appearances across three months in Portugal. 8. Torloni and Fagundes first met in 1982 on one of Brazil's first TV series, 'Amizade Colorida,' and describe their immediate stage chemistry as 'scenic love at first sight' sustained over 45 years and multiple films. 9. Pinheiro's theatrical device is to have Fagundes — culturally coded as 'the total alpha male' of Brazilian telenovela — deliver lines about machismo that, if spoken by a woman to a man, would provoke a slap, but directed at his 30-years-younger self become transformative advice. 10. Oscar Wilde's line from Salomé — 'the mystery of love is greater than the mystery of death' — is cited by Torloni as a through-line connecting their 1990s telenovela 'A Viagem' to 'Dois de Nós.' 11. Torloni rejects social media follower counts as measures of meaningful connection, saying 'I don't believe in this cloud that says you have 30 million friends,' and trusts only the 600 people who show up brushed and ready for a live performance. 12. She describes theater as 'perhaps the last reinforcement where people still meet eye to eye,' and says post-show chats reveal audiences using theater to reconnect with their humanity amid a 'too hard' reality. 13. Her 2020 documentary 'Amazônia: O Despertar da Floresta,' shot from 2009 with filmmaker Miguel Pshevodovski, features Ailton Krenak, Carlos Nobre, André Trigueiro, Sérgio Abranches, Amília Leitão, and Pope Francis. 14. The turning point for Torloni's environmental commitment was hearing the word 'florestania' — a Brazilian Portuguese neologism combining 'floresta' (forest) and 'cidadania' (citizenship) — during a miniseries shoot in Acre about Chico Mendes. 15. She describes the moment as 'a shot in my heart... a portal... one of the awakenings,' and has since channeled the concept into formal academic initiatives. 16. Torloni announced that May 2026 saw the opening of the first graduation and postgraduate module in 'florestania' at Unisanta (University of Santa Cecília, Santos), with free enrollment and UNESCO registration in progress. 17. The episode is conducted as a warm, conversational radio interview with host Petra, with audience messages read on air, maintaining an intimate tone despite covering serious political and ecological topics. 18. Torloni frequently uses first-person anecdote and Brazilian cultural reference — 'the frontman of the gas station who knows a soap opera hit before it airs' — to ground abstract arguments in everyday life. 19. The episode is best suited to Brazilian listeners interested in culture, theater, and environmentalism who want to hear a celebrated actress speak about civic engagement. 20. Listeners seeking data-driven environmental policy analysis or deep theater criticism will find the conversation too anecdotal and wide-ranging.

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