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Fernández y O’Shea por el perfil de la ministra Lincolao y el Premio Aena que se llevó Samanta Schweblin

·50 min·4 clips
Minister Jimena Lincolao arrived at the university without any security escort, exposing government negligence.
The episode begins with hosts Consuelo, Quique Mujica, and guests Patricio Fernández and María José Ochea. They first discuss Minister of Science Jimena Lincolao's recent experience at Austral University, where she encountered student protests. The analysis reveals that the government did not send an advance security team or escort, deeming it a low-risk event, which led to her having to leave hastily. The hosts note the university administration also failed to adequately assess the heated campus climate, which had been brewing for weeks over issues like student loan reforms. The discussion then delves into Lincolao's personal biography. She is of Mapuche descent, born in Santiago in 1968, and moved to the United States in her twenties with minimal funds. Her journey included working as a bartender, a domestic cleaner, and later founding civic technology platforms like Phone to Action, which earned her recognition in Forbes. She holds a doctorate from George Washington University. The hosts examine the challenges she faces as a minister, highlighting her professional expertise in tech but apparent lack of familiarity with Chilean political culture and public policy mechanisms, having lived abroad for nearly 30 years. They compare her situation to other non-political appointees in the Kast government. The conversation then transitions to literary topics, focusing on the new AENA prize for Hispanic American narrative. The prize, funded by Spain's airport management company, awards one million euros to the winner. The finalists included authors like Héctor Abad Faciolince, Nona Fernández, and Samantha Schweblin, who won with her short story collection 'El Buen Mal.' The hosts describe Schweblin's writing style as sparse and precise, creating an atmosphere of underlying dread in mundane settings. They connect her themes to the Freudian concept of 'the uncanny' (Unheimliche), where the familiar becomes strangely threatening. The discussion broadens to reflect on how literature captures contemporary anxieties, such as global political instability and nuclear threats. The episode concludes with light cultural notes, including a mention of Kate Bush's music and the publication anniversary of 'The Great Gatsby.'
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