STURZENEGGER, SADAIC Y LA MENTIRA DE LOS ARTISTAS LIBRES

·16 min·1 clip

A new decree claims to free musicians from intermediaries, but host Alfredo Zaiat argues it actually benefits powerful multinationals.

The episode begins with host Alfredo Zaiat introducing a clip of Gustavo Santaolalla discussing artist freedom, then pivots to Decree 138-25 signed by President Javier Milei and promoted by Federico Sturzenegger. Zaiat frames the decree as part of a government pattern of using 'freedom' rhetoric to benefit powerful sectors. He interviews Diego Boris, former president of the National Music Institute, to explain SADAIC's role as a collective management society that collects and distributes copyright fees for musical compositions. Boris details why collective management is necessary globally, as individual authors cannot track all uses of their work. Zaiat breaks down the decree's claim to eliminate monopolies and enable direct deals, arguing this will disadvantage independent artists. He uses the example of Netflix negotiations, where artists would lack leverage to demand standard rates. Boris explains the decree removes minimum payment protections and allows entities to offer lower rates, likening it to past exploitative practices. The episode notes Sturzenegger's social media posts citing Bersuit Vergarabat lyrics, which were countered by the band. Zaiat connects the decree to previous controversies where political campaigns used songs like La Renga's without permission. He concludes that the decree seeks to break community ties established through societies like SADAIC, favoring a 'save yourself' individual rights model that benefits concentrated sectors.

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