Bluesmoose 2112-40-2025 - Interview Emanuel Casablanca

·59 min·5 clips

Emanuel Casablanca, the self-proclaimed 'bad boy of blues,' reveals why he shelved a controversial song for 14 years before including it on his new album.

Host Rob van Elst introduces Emanuel Casablanca, known as 'the bad boy of blues,' at the start of the interview. Casablanca expresses excitement about his new album 'Jubilee,' which includes both new songs and tracks recorded over a decade ago. He reveals that the song 'Dick in My Hand' was written 14 years ago and initially sent to Betty LaVette's manager, who reacted negatively to the title. Casablanca explains his songwriting philosophy, noting that recording and songwriting are separate processes, and references Rick Rubin's idea that creative work is never truly finished. He discusses being proud of older songs that he now has the confidence to release. The conversation shifts to Casablanca's live performances, where he sometimes donates proceeds to nonprofits like Greater Hudson Promise. He critiques New York City's current music scene as corporate and lacking the rawness of past decades, praising scenes in Chicago, Los Angeles, Atlanta, and Memphis instead. Casablanca mentions his connection to Dutch blues through Saron Crenshaw and expresses interest in touring Europe again if he finds a new promoter. He recalls late-night jams at New York venues like Terra Blues and Kenny's Castaway with artists like Bobby Rush. The host asks about Casablanca's 'bad boy of blues' nickname, which Casablanca says should be given, not taken. Casablanca recommends tracks from his album, including 'Jubilee' and 'Pistol.' After the interview, the host provides additional context about Casablanca's multifaceted career and upcoming Netherlands performances at Texel Blues and Musicon in The Hague. The episode concludes with music recommendations and announcements about the Dutch Blues Challenge.

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