BIT Improv Comedy Network | MAIN STAGE · Billy Merritt

rabbitHOLE 12 | Your Spotify Year

·34 min·2 clips

The Department of Music Gatekeeping says legitimacy and coolness are not transferable.

1. BIT Improv Comedy Network’s rabbitHOLE 12 | Your Spotify Year uses Spotify listening reports as the starting point for a chain of family and identity scenes. 2. Billy Barrett opens the show as the host from the BIT Fit Comedy Network, and Johan first matters because he brings the Spotify annual review story. 3. The episode asks what happens when a simple streaming recap becomes a rabbit hole about family secrets, taste, and who gets credit for listening. 4. Johan says his company has about seven people, and the average listening time is about five minutes. 5. One coworker reports 300,000 minutes, and the team asks, “Don’t you have a life?” 6. The listening breakdown reaches a mother who is “60 plus years old” and a “huge Swifty,” a girlfriend who loves Tool, and a father who listens to a kids’ program. 7. That team chat turns into a two-hour afternoon discussion about his family life as if everyone has a secret identity. 8. A “Department of Music Gatekeeping” scene then challenges Flannery about two million minutes and checks for Coldplay, Nickelback, and Imagine Dragons. 9. The gatekeeper says a daughter’s Chappell Roan listening “is not transferable,” and the script repeats that “the music is not transferable.” 10. The same scene folds in a family plan, a distant cousin, and the line that the show is part of Pitchfork’s “coolness department.” 11. Flannery later says the 300,000 minutes came from “The Celeb Tapes,” a YouTube series about celebrities. 12. That reveal includes a family structure of “five brothers and seven grandchildren,” which turns a solo metric into a household project. 13. A family video about Ted Danson adds details like white hair, Jimi Hendrix, Whoopi Goldberg, skiing between takes, and 100 push-ups on Cheers. 14. Jason’s Gram-Gram scene flips the premise again when her results show Norwegian death metal and 80s Metallica. 15. She answers, “I am a child of the 70s,” and treats metal as her own “jam,” not a contradiction. 16. The same storyline sends her to Pantera with a grandson, while a mosh-pit scene shows her body-passing, losing a boob from her top, and attracting attention from younger fans. 17. The performance style is rapid-fire improv with scene cuts, repeated callbacks, and characters reacting to absurd specific details. 18. The energy stays broad and playful, with fake bureaucracy, fake commercials, and family arguments all used as comic engines. 19. Best for listeners who like improv scenes about music stats, family dynamics, and generational jokes. 20. Skip it if you want a single-topic interview with a linear argument.

As heard by us

A Spotify year-end prompt turns into grandmas, metal shirts, and a full improv detour.

Spotify year-end bragging rights set the stage, and The Rabbit Hole takes that idea into a long, sideways improv chase. Billy Barrett opens the frame, then the bit keeps veering into a bank-run panic, grandmas with opinions, metal shirts, secret identities, and a shop refurb…

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When a Spotify annual review turns into a full-blown improv rabbit hole.

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