Billy Newman Photo Podcast · Billy Newman

Billy Newman Photo Podcast | 238 Kodak Film, Oregon Camels

·22 min·2 clips

Billy Newman explores why Kodak Ektar film's crisp look and color reproduction made it his favorite for photography.

This episode features photographer Billy Newman analyzing a specific photograph taken on Kodak Ektar film. He reflects on his personal experience with different film stocks and his preference for Ektar. The discussion centers on the technical and aesthetic qualities of film photography. Newman explains he chose Ektar for its professional grade and crisp look with strong color reproduction. He specifically notes the film's ability to pull out blues and greens, contrasting it with the olive tones he associates with Fujifilm. The analyzed photograph was taken in 2014 at Lomolo Lake in central Oregon's Cascade range. He describes the scene's silver cloud linings and diffused light. The image is part of a roll from a trip around the Tokati Falls area. A key insight is Newman's admission that he never deeply understood the technical differences between stocks like Velvia, Portra, and Ektar. His film choice was driven by a subjective, visual attraction to Ektar's contrast and color palette. He recalls the era of disposable cameras using cheaper films like Kodak Gold. The entire roll from that Oregon trip yielded interesting results, prompting him to plan sharing more photos from it. The tone is informal, educational, and deeply personal, as Newman walks through his own creative process. The style is a relaxed, solo monologue directly addressing the listener. Photography enthusiasts interested in film stocks and landscape photography would enjoy this episode. Listeners seeking highly technical film analysis or structured tutorials might find it too anecdotal.

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