ArtiGras Podcast · ArtiGras Fine Arts Festival

Turning Discomfort Into Direction: Janeen Talbott on Filmmaking

·57 min·3 clips

Talbott says she paints her grandmother red and another grandmother purple based on what each one "feels" like.

The conversation starts gently. Sarah LaPierre introduces Janine Talbot as a multi-creative artist, then asks how she describes all the work living under one roof. Talbot keeps it plain: she is a multidisciplinary creative. The list stretches across painting, filmmaking, directing, writing, photography, and sculpting, though filmmaking is still the center. That is the work she wants to become her bread and butter. The episode gets more interesting when Talbot talks about painting. It has mostly been close-to-home work, made for friends, family, sorority murals, and private pleasure, not something she was pushing into competition. So when she entered a call for artists and reached the final round, the whole thing asked more of her than just showing a portfolio. She had to sit with her idea in public. She was wildly nervous, waiting outside the room and trying to steady herself before being called back in. The offer surprises her, and the moment seems to land more as permission than triumph. Talbot says it affirmed the kind of work she wants to make and the vision behind it. Then comes the other side of being chosen: now the idea has to become real, with marketing material attached and an event planned for MLK weekend. Sarah keeps the tone warm without flattening the nerves out of the story. Around them, the Cultural Council for Palm Beach County gives the episode its arts-support frame. By the end, Talbot is talking about showing more sides of herself, and Sarah leaves her with the image of a creative tree adding another branch.

As heard by us

A multidisciplinary artist describes the work, then meets it in public.

This segment tracks Sarah LaPierre in conversation with Janine Talbot, and it gives clear shape to a multidisciplinary practice where filmmaking sits at the center while painting, writing, photography, sculpting, and directing still matter.

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Why you'd press play

You watch a private creative practice become public-facing work.

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