All Things Techie Podcast · Xtreme Media / Xtreme Technology Solutions

All Things TechIE Podcast - Episode 119

·41 min·2 clips

Displays.tv says its 55-inch 4K OLED TV runs on batteries and can be mounted with suction cups.

Justin Dawson frames the episode as a post-Infocom 2025 update from Orlando. He says the YouTube version helps the story land, since this is the kind of event that makes more sense when you can see the floor and the booths. The episode is sponsored by Vizorti and Nereva, and he asks people to like, comment, share, and subscribe. Brian Gray joins him early, and the two settle into a joking, half-serious back-and-forth that keeps the show moving. The conversation quickly lands on cable management. Dawson needles Gray about it, and Gray answers with the sort of calm logic that makes hidden wiring sound like a worldview. That sets the tone for the rest of the episode: informal, technical, and happy to laugh at the rough edges of live event work. The pair keep circling back to how much is happening at the education summit and around the hall. A later stretch focuses on the Big Set TV setup. Dawson describes the booth as a place where live content is being streamed out, social media support is active, and branded swag is being handed out to attendees. He notes the socks, the sunglasses, and the badge-scan giveaways, but the real point is the production behind it all. The booth becomes a small example of how trade-show media actually runs: cameras, screens, people talking over one another, and the constant sense that everyone is both present and being captured. He also talks about the sheer scale of the floor. There are rigs, staging, smoke machines, live presentations, and enough movement to make it easy to lose your bearings. Dawson compares the feeling to other huge AV events, while still making clear that this show has its own pace and personality. He mentions the upstairs viewing area, where you can look down across the hall and take in the activity from above. The episode keeps its attention on practical, working details. It is interested in how a booth is wired, how a live broadcast is controlled, and how much logistics sit behind something that looks effortless from a distance. That focus gives the banter weight, because the jokes sit on top of real production knowledge. Gray’s presence adds a second point of view, and their teasing keeps the conversation from feeling too scripted. Dawson also uses the episode to acknowledge the wider community around the event. He congratulates people involved in the Higher Ed AV Awards Hall of Fame and speaks emotionally about his son Ciaran. That section gives the episode a warmer center than the booth tour alone would suggest. It is a reminder that these shows are not just product demos and sponsor decks; they are also reunions, recognitions, and personal milestones. The closing stretches bring the episode back to gratitude. Dawson thanks viewers and listeners, points them to the show’s site and social channels, and signs off in the familiar promotional style that runs through much of the programme. The overall result is a lively conference-floor dispatch with enough detail to help you picture the event, even if you were nowhere near Orlando. It is unhurried, a bit messy, and useful because it lets the event breathe.

As heard by us

A live Infocom dispatch that favors useful, on-the-floor AV detail over polish.

Justin Dawson treats Infocom 2025 like a live field note, moving between the education summit, the trade-show floor, and the messy work that happens while recording on the move.

Read the full review in PlayNext →

Why you'd press play

Infocom 2025 floor notes, booth banter, and a live feel for the Orlando show.

Read the full recommendation in PlayNext →

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